What Is a Compound Raglan… and Why?
Like most of my raglan patterns, the Timepiece Cardigan is described as having ‘compound raglan’ construction. This inevitably seems to frighten some people, who then ask me to explain what that is, and whether it is more difficult than an ordinary raglan. I should probably just stop using the term! But instead, I will try once and for all to demystify this fabulous construction method.
Put simply:
In classic raglan construction, the raglan increases are characterised by two things:
(1) They happen at the same rate throughout the yoke, and
(2) They happen at the same rate for the body as for the sleeves
In a compound raglan, at least one of those things is not so.
For example:
Standard raglan instructions will state something like: Increase on every other round to the body and to the sleeve sides of the raglan markers until there are X body stitches and Y sleeve stitches.
Compound raglan instructions might state something like: First, increase on every 4th round to the body sides of the raglan markers, and on every other round to the sleeve sides of the raglan markers, until there are X body stitches and Y sleeve stitches. Then, no longer increasing to the sleeve sides at all, increase to the body sides of the raglans on every single round, until there are Z body stitches.
In the first example, the raglan lines follow a consistent trajectory. In the second example, the raglan lines appear broken, or curved, changing trajectories throughout the yoke.
While I don’t take my sample photos with an aim to deliberately illustrate this, you can see the ‘broken’ lines of a compound raglan quite clearly in the image above. Looking at the left side of the yoke, notice how the raglan line starts out at a 45 degree angle at the very top of the shoulder, then quickly steepens, then steepens again, before slackening considerably just above the underarm. That is a compound raglan. Chances are, you have seen before it loads of times and simply haven’t noticed. Consider, for instance, that mass-produced garments described as raglans almost always use compound rather than classic raglan construction - even simple baseball shirts.
Okay, so now that we know how it is made and what it looks like, let’s proceed to the question of Why? Why go through all those steps, changing the rates of increases, when it is so much more straightforward to increase every other row for both sleeves and body, until you don’t need to increase anymore?
The answer is very simple: Fit.
Classic raglan construction often creates too many stitches, too quickly, resulting in the dreaded excess fabric effect which can make a raglan yoke look ill-proportioned and lumpy. Compound raglan construction allows for nuance, fine-tuning the fit of the body and sleeves independently, while still retaining the raglan aesthetic.
For the Timepiece collection for instance, I wanted to use raglan construction because it creates a nice visual symmetry with the lines of the V-neck. However, I also wanted the fit of the yoke - especially if opting for oversized - to be elegant, without an overabundance of fabric around the shoulders.
Finally, to address the question of whether a compound raglan garment is ‘more difficult’ than a classic raglan…
For the designer: definitely! Obviously, it is so much easier to write ‘increase every other round until you attain all the stitch counts,’ than to calculate several different increase rates, and then to make their combination work with the yoke depth, across all sizes. As someone who isn’t great at math and who refuses to use spreadsheets, it takes me numerous attempts to get this right, with lots of help from my tech editor. Yet despite this, I find the fit possibilities offered by compound raglan construction so undeniably superior to that of classic raglans, that doing the extra work is truly worth it.
However, that’s not really what you were asking!
For the knitter: The way my patterns are written, I honestly do not think it is any more difficult to follow instructions for a compound raglan than for a classic raglan. Obviously, you need to pay attention and change the rate of increases where the instructions tell you to, rather than just plowing on at the increase rate given at the start. But there is nothing difficult or tricky in that, and all the steps are clearly spelled out.
I hope in writing all this I have managed to provide some clarity into compound raglan construction. Give it a try, and once you see the difference in fit I am confident you will become an enthusiast!